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Darkness Ad Infinitum: Villipede Horror Anthology 1 Paperback – May 26, 2014
Purchase options and add-ons
- Print length312 pages
- LanguageEnglish
- Publication dateMay 26, 2014
- Dimensions5 x 0.78 x 8 inches
- ISBN-100692208992
- ISBN-13978-0692208991
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Editorial Reviews
Review
DARKNESS AD INFINITUM, the debut horror anthology from Villipede Publications, is a finely balanced blend of horror fiction, poetry, and art. The goal here is clearly horror as an art form, and the anthology accomplishes that goal exceedingly well. This is horror and dark speculative fiction of the highest caliber.
As a publisher of horror/suspense fiction myself (Smart Rhino Publications), I can fully appreciate the amount of talent and effort behind a project like this--and the love for the art form fairly exudes from each page. Frankly, this is a beautiful book! I'd be hard-pressed to select a favorite story here--perhaps the dark humor of "Smudge" by Jonathan Templar stands out for me. But, really, I'd recommend you purchase the book and enjoy all the writing packed between these covers!
Keep your eye on Villipede Publications. I wouldn't be surprised if the best is yet to come! --F. Weldon Burge, Smart Rhino Publications
Consisting of fifteen stories, four poems, and a bounty of darkly evocative illustrations (full color in the eBook version), Darkness Ad Infinitum is the first horror anthology from Villipede Publications.
Founded in 2011, Villipede is a publisher for which written art and visual art have always been strongly intertwined. On a purely physical level, DAI is a pleasure to behold. With its dark and tattered aesthetic accentuated by a splash of crimson, the cover by Wednesday Wolf sets the tone. After more wonderfully grotesque artwork (most notably on the title page), the anthology begins with a brief introduction in the form of a story that explains the infinite darkness referred to in the title. Then come the stories proper, each one accompanied by an original illustration by one of ten artists. The well-suited pictures accompanying each story are impressive in their detail.
The horror between these pages is predominantly of the insidious, creeping variety, its encroachment gradual but eventually all-encompassing. As modern as it may be, it s horror in the old-fashioned vein, perfect for reading by a crackling fire on a windswept night. Lovecraftian strains pair well with surrealistic nightmares. Madness looms, whether it be religious, familial, or chemical in nature. Places people were never meant to set foot in beckon with dark temptation.
A considerable number of stories involve weird houses or uncanny occurrences in seemingly ordinary ones. Fans of this particular trope will be duly satisfied, and there s enough variation that it doesn t come across as redundant. Other stories run the gamut of subjects, from deadly subterranean creatures to a modern take on Pinocchio, to ruthless skinwalkers and cannibals hiding in plain sight.
The poems interspersed between the longer pieces are best absorbed with logic set aside. Their imagery and word choice serve to unsettle, and they re a welcome addition to (though certainly not a break from) the dread to be found in the stories.
It's obvious just picking the book up and flipping through its pages that a lot of time, energy and care went into it. From the typesetting to the illustrations to the stories themselves, and even the author bios, Darkness Ad Infinitum is a true work of art. As far as anthologies go, it s a fair bet that most horror fans will be pleased with this one. Recommended. --Josh Black, via Hellnotes review
From the Inside Flap
LONGBOAT- Becky Regalado
IN THE WALLS - Adam Millard
LOVE GRUDGE - Dot Wickliff
EARTH, RISEN - Pete Clark
SMUDGE - Jonathan Templar
THE HIGH PRIEST - C. Deskin Rink
STEALING DARKNESS - Geoffrey H. Goodwin
THE WESTHOFF VERSION - Patrick O'Neill
THE BURNING MAN - Tony Flynn
BLESS ME FATHER - Lisamarie Lamb
A LIGHT IN THE DARKNESS - Lawrence Salani
PILING UP - Kallirroe Agelopoulou
DOOR TO INSANITY - Mathias Jansson
BRANNIGAN'S WINDOW - John Mc Caffrey
THE SONG THAT CRAWLED - Adam S. House
HUNGRY AS THE WIND - Jonathan Moon
THE GOOD MAN - David Dunwoody
THE UNDERTAKER'S MELANCHOLY - Sydney Leigh
THE TUNNEL RECORD - J. Daniel Stone
WITH ARTWORK FROM:
Wednesday Wolf
David Shearer
Justin Wheeler
Mark Thompson (Monstark Studios)
Eric Ford
Dennis Anderson (Dennis A!)
Luke Spooner (Carrion House)
Adam Domville
Stephen Cooney
Matt Edginton
Product details
- Publisher : Villipede Publications (May 26, 2014)
- Language : English
- Paperback : 312 pages
- ISBN-10 : 0692208992
- ISBN-13 : 978-0692208991
- Item Weight : 12 ounces
- Dimensions : 5 x 0.78 x 8 inches
- Customer Reviews:
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About the authors
Born in Texas and currently wandering somewhere in Utah, David Dunwoody writes subversive horror fiction including the EMPIRE series, HELL WALKS and THE 3 EGOS, as well as appearances in numerous anthologies and collections. His work has been published by outfits such as Gallery, Shroud, Dark Regions and Chaosium.
Adam Millard is the author of twenty-nine novels, thirteen novellas, and more than two hundred short stories, which can be found in various collections, magazines, and anthologies. Probably best known for his post-apocalyptic and comedy-horror fiction, Adam also writes fantasy/horror for children and Bizarro fiction for several publishers. His work has been translated for the German, Russian, and Spanish markets. He lives in Newcastle-Under-Lyme, UK, with his wife, Dawn, and her cats, which were not his idea at all.
Twitter: @adammillard
Website: www.adam-millard.com
Sydney Leigh is the evil literary double of a mostly sane writer, editor, and native of the North Shore. Her poetry, short fiction, and reviews have appeared in various magazines and anthologies.
Recent publications include her Bram Stoker Award® nominated story "Baby's Breath," available now in chapbook form, poetry in SHROUD 16: THE QUARTERLY JOURNAL OF SPECULATIVE WRITING, the HWA POETRY SHOWCASE VOLUME II, and her short supernatural/noir story "Night Soliloquy," which appears in Written Backwards' latest anthology, THE LIBRARY OF THE DEAD.
Look for her experimental poem "The Undertaker's Melancholy" in Villipede's first horror and dark speculative fiction anthology, DARKNESS AD INFINITUM, and her dark fairy tale "Rabenschwarz," which shares pages with gothic horror legends in Firbolg Publishing's ENTER AT YOUR OWN RISK: THE END IS THE BEGINNING.
Forthcoming work includes poetry in CHIRAL MAD 3 and the third volume in the QUICK SHIVERS series from the DailyNightmare.Com.
She currently works as a shapeshifter at Villipede Publications and is juggling several projects. Mostly, she just avoids the guilty stare of her Border Collie, Holden, who would rather be playing frisbee.
Find out more at thespiderbox.shawnaleighbernard.com.
Jonathan Templar lives in Cheshire. He copes with the constant, constant rainfall by writing in a variety of genres, from horror and fantasy to children's bedtime tales.
Jonathan's recent acclaimed work includes the story 'The Meat Man' in the charity collection 'Horror for Good' and 'Basher' for the shared world anthology 'World's Collider'.
His novella 'The Angel of Shadwell', the first in a series of stories for steam-punk detective Inspector Noridel, is available from Nightscape Press and he has recently published his first collection of short stories, 'The Geometry of Hell'.
Jonathan has an author site with a full bibliography at www.jonathantemplar.com.
Jonathan Moon lives in a small town in the Palouse region of Idaho/Washington. He is an avid fan of horror, western, and comedy. Sometimes he enjoys sci-fi and in the eighties and nineties he really dug wrestling. He enjoys reading horror and bizarro and he calls his writing style "Horrorcore." He reviews books for horrornews.net and can be found on facebook, myspace, or lurking on various online forums. You can follow his dark escapades at his Monkey Faced Demon Blog at...mr.moonblogs.blogspot.com.
John Mc Caffrey writes tales of horror, the supernatural, science fiction, and fantasy. He was born in Illinois and grew up on the south side of Chicago. While still in grade school, he developed a passion for reading through the works of Tolkien, Poe, and Lovecraft as well as being addicted to watching Hammer Film's at the local Saturday matinee. Today he lives in northern Indiana with his wife and two dogs where he writes in his spare time. His works can be found at Amazon, Barnes & Noble and Smashwords as well as various anthologies.
Shawna L. Bernard is a writer, editor, and artist native to the North Shore. Her poetry, short fiction, and reviews have appeared in various publications.
She currently works at Villipede Publications juggling several forthcoming projects, and writes dark fiction and horror under the guise of her evil literary double, Sydney Leigh. Drop into her website at thespiderbox.shawnaleighbernard.com.
NYC born and raised J. Daniel Stone writes urban horror with a queer focus. He sold his first story when he was 22-years-old and has since written three novels (The Absence of Light, Blood Kiss and Stations of Shadow), as well as a short story collection (Lovebites & Razorlines) and a novella (I Can Taste The Blood). He writes under a pseudonym to keep the wolves at bay.
Visit him at www.SolitarySpiral.com
I'm a writer... At least, I write...
I was five when I wrote my first short story - it involved a car going over a cliff, Jessica Fletcher and the Phantom Raspberry Blower. It didn't have much of a plot (he did it, she solved it) but it did have rather colourful (crayon) illustrations and it did make me realise that writing was for me.
At 12 I wrote my first novel during the school summer holidays. Loosely based on the Famous Five, with a bit of James Bond thrown in, it was an adventure story and my teacher made me read some of it out in class. And that's when I realised that I wanted people to hear my stories and read my work.
Over the intervening years, I have written various short stories, plays, poems and novels in different genres, including romance and children's books.
Discover more of the author’s books, see similar authors, read author blogs and more
Lawrence lives on the coast near Sydney Australia. and his interest in writing stems from reading pulp and classic fiction during his youth.
Over the years his work has appeared in various anthologies.
As well as writing his interests include Fine Arts, drawing and painting. When not working, he can be found frequenting the Rocks district of Sydney looking for ghosts or visiting the many galleries in the area.
Mathias Jansson (b.1972) is a Swedish art critic (AICA-member) and poet. As an art critic he is mainly focused on new media art and specially Game Art, i.e contemporary art inspired by video games. Writing for Swedish and international magazines and blogs as DigiMag, Gamescenes, Konsten.net and Konstperspektiv.
During the last years Mathias has focused his writing in the horror genre and have been published in in magazines as The Horror Zine, Dark Eclipse, Schlock and The Sirens Call. He has also contributed with poetry to over 100 different horror anthologies from publishers as Horrified Press, James Ward Kirk Fiction, Source Point Press, Thirteen Press etc. In his poetry Mathias finds inspiration from contemporary science, black metal, classic mythology, Swedish folklore, ancient mysteries and enigmas.
Homepage http://mathiasjansson72.blogspot.se/
Adam S. House is a Canadian writer currently living in Asia. If you read any of his work, let him know what you think. He likes that; positive or negative, it all helps. When he is not writing he enjoys reading, playing video games, watching movies, and photography, but is aware he should be writing instead.
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As for the stories, there is something for everyone. From eldritch lobsters lurking in seas of acid to a darker interpretation of foie gras, every reader is sure to keep their eyes glued to the shadows long after they’ve tucked themselves in for the night. Usually anthologies have weak links or filler stories, but not here. I found myself scrambling to my laptop after a few pieces so I could immediately check to see what else the authors had written.
Villipede has done a fantastic job assembling this team of writers. I can’t wait to see what they do next.
Stephen Williams
Just writing this review gets me juiced to read this anthology again. Even now, two days after I finished it, a couple of the stories are still resonating with me. Talk about residual effects!
Every story in DARKNESS AD INFINITUM is woven together by a master artist who has taken great care in the construction of his or her masterpiece. These tales are written very well and are intertwined in a sense, thanks to an overarching storyline that is set up at the beginning of the book. I love this concept, as it reminds me of horror film anthologies such as V/H/S.
The book itself looks amazing as well; the cover art is courtesy of Wednesday Wolf, and it is nothing short of terrifying. While simplistic in design, it strikes a primal nerve within the brain that has the same power as a punch to the throat. The interior design is elegant and unnerving, a true compliment to the stories themselves. You will enjoy looking at and inside this book as much as you will enjoy reading it.
I have a hard time trying to figure out a favorite story in this collection; they are all that good. One I have to mention is the first story, “Longboat” by Becky Regalado. In this tale, a sailor who has been set adrift on a line in the longboat thanks to his drunken ways, watches in horror as strange creatures overtake the main ship. But the creatures are more than they seem…and the horror of the truth will force him into a drastic decision. The dark atmosphere Regalado sets within the story is simply stunning; it is pitched and lonely, exactly the way I would assume being alone in a vast ocean must be like. Regalado is definitely a writer to watch out for.
As is every author in this collection, for that matter. DARKNESS AD INFINITUM is one hell of an anthology, and I recommend every one of my readers get a copy immediately. You won’t be disappointed. And if you are, then you simply must hate good horror fiction.
All told there were nineteen entries comprised of stories and poems that were reminiscent of episodes of Night Gallery, or the classic horror films of the 1970s. The stories were subtle yet horrifying, and the sudden and building tension made the well-written tales a quick read.
Most of the contributions were brilliant, bringing me down a path of panic and terror right alongside the characters. I began to list my favorites, but upon typing realized that I was listing almost the entire table of contents. Since I must pick only a few pieces, I chose the ones that will stay with and haunt me forever. These are listed below.
The Westhoff Version by Patrick O'Neill. This story was subtle, and throughout much of the telling only teased and hinted at what was going on. Once the writer revealed the true terror, all went from merely chilling to horrifying. I found myself praying the characters would make it out alive.
The Undertaker's Melancholy by Sydney Leigh is a poem about madness. Not run-of-the mill schizophrenia, but a character trapped in a demented hell of a mind. The ebbs and flows in the prose are what made it most disturbing. Waves of calm and beautiful imagery rapidly turn, transforming into monstrous vignettes. The author's mixed use of long and short words are perfectly ordered to provide the semblance of peace, which then strike you down and yank you back to insanity.
Brannigan's Window by John Mc Caffrey was also well done. Though it's set in modern times, it had a wonderfully gothic horror feel to it. Smudge by Jonathan Templar was another good one in the collection. This was a story whose main character relays his growing fear so well that the reader is drawn into his mounting panic over the mysterious smudge in the corner of his ceiling.
Finally, the short poem The Burning Man by Tony Flynn scared the heck out of me. Well done!
I would be remiss if I did not mention how much the artwork, by too many contributors to mention here, elevated the fearful feeling of this collection. This is a book to buy in print and to hold onto for stormy nights, to read by candlelight when the power is out. It's a keeper.